由北京东路沿街的入口进入空间,入口处墙面材质延伸建筑外观的红砖墙,并随着地面人字拼实木地板的铺陈,连结了建筑本身的历史语汇；高挑的铜板天花与底墙的碳纤维板,分别以不同的韵律展开空间的节奏,就像机械钟内大小不同的齿轮以不同的频率,共构出分秒的移动；室内主要的材质灵感都取自于品牌本身,在制作钟表所使用的材质:氧化铜,碳纤维板,黑胡桃实木等…,其中碳纤维板使用在底墙是一种新的材质尝试,不但消除了空间的边界感,且高光材质的反射,也延长了空间景深,右手边大片的白色石材墙跃然而上,衬托出昂文德帝(ERWIN SATTLER)精准挂钟的百年精密工艺与顶级手工。空间配置中,除了后场机能需求的安排外,展区的动线与展示空间是最重要的部分,选择在原有室内空间主体中增加的玻璃展间与悬空展台,不仅增加了动在线的趣味性,也让商品之间不同系列的陈列更有主题的被区分；两个玻璃展间概念上象征着整个时光殿堂的机芯盒,盒里精密繁复的机械刻录着时间轨迹,因此我们将品牌本身的零件重新组合翻转成空间中的视觉图样,两层玻璃四个面,经过八种深浅不同的酸洗、磨砂、雕刻以及一层打印和夹膜, 目的是呈现出精致机械钟表零件的立体感,却又不会阻隔在视觉上彼此的穿透,而透过玻璃上的机械齿轮图样看到一个个精准的时钟这种在虚实间穿梭的丰富层次也为原本单一的空间拉出视觉的景深,并且相对于两端的入口也作为一个立体错位又需实交错的端景。
Entering
the space from the entrance along the Beijing East Road, the materials on the
wall is an expansion of the red brick wall from the outer surface of the building, ^^and^^ through the
herringbone parquet flooring, connects the building itself with the historical elements.
The high copper ceiling ^^and^^ the carbon fiber plate of the bottom wall,
exp^^and^^ing at its own different rhythm throughout the space respectively,
similar to the assortment of gears inside a timepiece constructing the
movements of the h^^and^^s through difference frequencies. The main inspiration of
the interior comes from the br^^and^^ itself, such as the materials used in
creating a timepiece: copper oxide, carbon fiber plate, ^^and^^ black walnut wood
etc…, within these the carbon fiber plate was a new attempt in materials, not only
did it eliminate the sense of boundary, the highly reflective material also
exp^^and^^ed the depth of field in the space. The white stone wall on the
right-h^^and^^ side serves as a complement to the ERWIN SATTLER’s exquisite hanging
clock which was created from a century of elegant artistry ^^and^^ precise
craftsmanship. In the allocation of space, other than the arrangement of the
functionality needs of the back court, the route of the exhibition area ^^and^^ the
exhibition space is of the greatest importance. Choosing to enhance the original
interior space with the addition of glasses houses ^^and^^ hanging displays, it not
only increased the interest along the route, but also made a distinction
between the different collections of merch^^and^^ise ^^and^^ its display. The two glasses
houses are a concept which represents the whole movement boxes of the time
capsule, inside this box the machine continues to records the tracks of time.
It is for this reason that we retrofitted the components ^^and^^ gears of the
br^^and^^ itself into a visual design in the space, through the four layers of the
two glass windows ^^and^^ the eight different depths of carving, grounding, ^^and^^ a
layer of digitally printed. The aim is to clearly present
the perspective of the polished parts of the timepiece without obscuring it
visually, ^^and^^ watch through the rich layers patterns of the gears on the
glasses, each precise clock passing through this cross-dimensional display also
enriches the depth of field ^^and^^ further acts as a side view with its
interlacing of dislocation ^^and^^ cross between reality ^^and^^ another dimension for
the entrances on the two sides.
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